A Tempest in a Glass of Water A Tempest in a Glass of Water

Kinney: A Tempest in a Glass of Water. A useful anthology of Gordon J. Kinney's translations of French viol treatises: excerpts from Trichet and Jambe de Fer, DuBuisson, DeMachy, Danoville Treatise, Prefaces to Marin Marais's Pieces de viole, Loulie Method, Roland Marais's Rules of Accompaniment, and KInney's article "A Tempest in a Glass of Water".

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Baroque Music: Style and Performance Baroque Music: Style and Performance

Donington: Baroque Music: Style and Performance, a handbook. By Robert Donington. Summarizes the principles of authentic interpretation in Baroque music and their practical application in performance. Topics include tempo, shaping the line, ornamentation, etc.

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Baroque String Playing for Ingenious Learners Baroque String Playing for Ingenious Learners

Tarling, Judy: Baroque String Playing for Ingenious Learners

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Before the Chinrest Before the Chinrest

Ritchie: Before the Chinrest. A Violinist's Guide to the Mysteries of Pre-Chinrest Technique and Style. By Stanley Ritchie with illustrated sections on right- and left-hand technique, plus interpretation of Baroque, Classical, and early Romantic music.

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Companion to Medieval and Renaissance Music Companion to Medieval and Renaissance Music

Fallows, David, Kighton, Tess: Companion to Medieval and Renaissance Music

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Dance and the Music of J.S. Bach, expanded edition Dance and the Music of J.S. Bach, expanded edition

Jenne, Natalie, Little, Meredith: Dance and the Music of J.S. Bach, expanded edition

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Dance Rhythms of the French Baroque Dance Rhythms of the French Baroque

Kerns, Mather, Betty Bang: Dance Rhythms of the French Baroque

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For Ye Viols–The Consort and Dance Music of William Lawes For Ye Viols–The Consort and Dance Music of William Lawes

Pinto, David: For Ye Viols–The Consort and Dance Music of William Lawes

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Georg Muffat on Performance Practice Georg Muffat on Performance Practice

Wilson, David K: Georg Muffat on Performance Practice

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Gregorian Chant Gregorian Chant

Apel: Gregorian Chant

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How Equal Temperament Ruined Harmony (and why you should care) How Equal Temperament Ruined Harmony (and why you should care)

Duffin: How Equal Temperament Ruined Harmony (and why you should care). Did Bach hear more colorful harmonies than we do today? Read this fascinating and comprehensive history, music theory lesson, and "plea for more variety in tuning methods"

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If It Ain’t Baroque If It Ain’t Baroque

Barber: If It Ain’t Baroque

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Interpretation of Early Music Interpretation of Early Music

Donington, Robert: Interpretation of Early Music. Robert Donington. Exhaustive reference for 17th and 18th century performance practice, completely revised and updated, covering style, tempo, rhythm, dynamics, accidentals, expression, ornamentation and more.

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Jacob van Eyck's Der Fluyten Lust-Hof Jacob van Eyck's Der Fluyten Lust-Hof

Griffioen, Ruth van Baak: Jacob van Eyck's Der Fluyten Lust-Hof. An exhaustive study of van Eyck's life and musical style, with a detailed listing of the tunes on which the variations are based, their source, texts and translation, and concordances. Newly revised and corrected edition, hardcover only.

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Luis Milan on Sixteenth Century Performance Practice Luis Milan on Sixteenth Century Performance Practice

Gasser, Luis: Luis Milan on Sixteenth Century Performance Practice

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Meter in Music 1600-1800 Meter in Music 1600-1800

Houle, George: Meter in Music 1600-1800. Performance, Perception and Notation, George Houle's insightful study of meter and rhythm in the 17th and 18th centuries. Covers the origin of the measure, time signatures, rhythmopoeia (poetic meter in music), perception of meter, accent, and articulation.

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Oyez: Elizabethan and jacobean Street Cries Oyez: Elizabethan and jacobean Street Cries

Sargent, Brian: Oyez: Elizabethan and jacobean Street Cries

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Performance of 16th Century Music Performance of 16th Century Music

Smith: Performance of 16th Century Music. Anne Smith's fresh look at Renaissance performance practice examines the implications of part-book format, solmisation, rhythmic flexibility, and rhetoric, providing 'fundamental insight' into the structure and function of 16th century polyphony; highly recommended!

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Performer's Guide to 17th Century Music Performer's Guide to 17th Century Music

Carter, Kite-Powell: Performer's Guide to 17th Century Music. Edited by Stewart Carter, revised and expanded by Jeffrey Kite-Powell, covers performance practice, ornamentation, tuning, temperament, meter and tempo, basso continuo, dance and theatre, with new chapters on the violin, violoncello and violone, and trombone.

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Performer's Guide to Medieval Music Performer's Guide to Medieval Music

Duffin, Ross: Performer's Guide to Medieval Music. Edited by Ross Duffin. Essays by Benjamin Bagby, Timothy McGee, Paul Hillier, et al., on chant, organum, secular monophony, and other genres, the Ars nova and Ars subtilior instruments, performance practice, and theory (notation, musica ficta, tuning, and more).

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Performer's Guide to Renaissance Music Performer's Guide to Renaissance Music

Kite-Powell: Performer's Guide to Renaissance Music. Edited by Jeffrey Kite-Powell. 23 essays cover every aspect of historical performance practice: vocal and choral music, ensembles, instruments and instrumentation, Renaissance music theory, regional style, dance, and a new chapter on ornamentation.

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Principles of the Flute Principles of the Flute

English translation of Jacques-Martin Hotteterre's Principes de la Flute, an important resource for understanding French baroque articulation and ornamentation.

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Rediscovered Bach: Vocal Chamber Music in the Bach Cantatasss Rediscovered Bach: Vocal Chamber Music in the Bach Cantatas

Goldberg, Laurette: Rediscovered Bach: Vocal Chamber Music in the Bach Cantatasss

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Renaissance (Source Readings in Music History) Renaissance (Source Readings in Music History)

Strunk: Renaissance (Source Readings in Music History)

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The Early Medieval Harp The Early Medieval Harp

Cook: The Early Medieval Harp: A Practical Guide. By Ron Cook. Covers modal theory, rhythm, adding accompaniment, ornamentation, repertoire and much more, with extensive bibliography; 69pp.

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The French Noel, with an Anthology of 1725 arranged for Flute Duet The French Noel, with an Anthology of 1725 arranged for Flute Duet

Gavin, Gail, Mather, Betty Bang: The French Noel, with an Anthology of 1725 arranged for Flute Duet

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Viola d’Amore Bibliographie Viola d’Amore Bibliographie

Jappe, Dorothea, Jappe, Michael: Viola d’Amore Bibliographie

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Weapons of Rhetoric Weapons of Rhetoric

Tarling: The Weapons of Rhetoric. A guide for musicians and audiences by Judy Tarling. From 1600 to at least 1750, classical rhetoric influenced every aspect of music from composition to performance. Tarling explains the principles of rhetoric and their practical application in performance. Topics include affect, delivery, articulation, structure, ornamentation, and much more.

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