Materials Used to Make Recorders
Recorders may be
made out of a wide variety of woods and other materials, which vary
greatly in appearance and hardness. While a recorder's design, style,
voicing, and individual characteristics are the most important factors
in determining its sound, the type of wood has some effect as well. Relatively soft woods, such as maple, pear, or other fruit woods, tend
to have a very warm tone but less volume than denser materials. Very
hard woods such as ebony or grenadilla tend to give an instrument more
volume and brilliance.
European Boxwood (Buxus sempervirens;
specific gravity .91) was the favored wood for the best early woodwind
makers. Genuine boxwood of this type is extremely fine grained, and
carves beautifully. However, because it is extremely slow-growing (a tree large enough to use for instruments may be as much as 300-500 years old!), the wood is often full of knots, splits, cracks, and other imperfections. Boxwood is quite labor intensive; it is difficult to find a length large enough to make an entire instrument, so the head, center and foot are each turned from a different piece, which must be matched for grain and color. Blemishes are often not visible until the wood is turned, and a nearly finished piece must be discarded. The natural color of boxwood is pale yellow,
but it is frequently stained darker colors. Early makers stained
boxwood instruments to make them look more exotic and elegant, to help
the different pieces of an instrument match better, or to disguise
discoloration in the wood. We stain ours as well, in a variety of rich
shades (the image above shows the wide range of shades we can achieve). Although they appear very shiny, our instruments are never varnished. They are sanded with very fine sandpaper, oiled, and finally buffed. The wood is so fine that it can achieve such a fine finish without
varnish, shellac, or lacquer.
instruments, such as the Moeck Rottenburgh or Mollenhauer Denner may be described as 'boxwood', but Castello, Maracaibo and Zapatero boxwoods are varieties of South American or Asian origin, unrelated to European boxwood. They are less dense and not so fine-grained, but grow faster and
straighter, making them woods far more economical to use for large-scale production.
is a popular choice for copies of Renaissance recorders because surviving
original instruments were made of maple or similar woods. It is
available in very large, consistent pieces, particularly
important for Renaissance instruments which frequently require very
large recorders to be made in only one or two pieces. It is also lighter in weight and for this reason,
it is also used for Baroque and modern tenor & bass recorders. Maple
can also be very decorative when a piece has curly, 'flamed' or otherwise figured grain. It is also used for many inexpensive recorders, and is porous
enough that it is sometimes impregnated with wax under pressure to help
protect the wood from absorbing too much moisture. Its natural color is very light, but it
is often stained to bring out the beauty of the grain. We use
American hard maple (Acer saccharum; specific gravity .72) which has a sweet, warm tone and blends well with other instruments.
African ebony (Diospyrus crassiflora;
specific gravity 1.03) is a very hard, dense wood, deep brown to black in color, a favorite of
makers looking to produce outstanding visual pieces. Its density gives
it a bright, bold, and powerful tone, which many players favor for
concerto instruments where volume is a concern. The Bressan flute
pictured below is made of ebony.
'Rosewood' is a generic term for a variety of woods in the Dalbergia family, including palisander, kingwood, tulipwood and many others (so-called because when these woods are cut, they emit a faint scent of roses). Rosewoods have very colorful, high-contrast grain, striking in appearance, and ranging in color from orange through reds and purples to deep brown. We select only the finest woods for their exceptional grain and beauty. The tone of rosewood recorders is typically reedy and rich in
overtones. The Rippert soprano (top, kingwood) and alto (bottom, tulipwood) below demonstrate just
two possible colors. Our rosewood recorders are turned from a single billet of wood so that the grain and color match along the length of the instrument.
Because there are so many
varieties of 'rosewood', terminology can vary. For example, Moeck produces recorders in both palisander and tulipwood, but
designate the latter simply as 'rosewood', which can sometimes cause confusion.
(Dalbergia melanoxylon; specific gravity 1.1) is a beautiful, dark wood
that resembles ebony but may have a bit more brown in the grain. Extremely tough and durable, grenadilla produces a tone that is bright,
clear, and penetrating; many of our customers favor grenadilla instruments for
solo and concerto work.
If you have any questions about the materials we use or which wood is right for you, please do not hesitate to ask!